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Both lenses were 16mm on tripod during the test.
First comparison is lenses widest apertures which is F2.8 for Sony 16-50 and F3.5 for Sony 16-105. At this comparison Sony 16-50 seems to have more vignetting and its corner sharpness is one step behind while they seem to be doing same in the center sharpness.
When Sony 16-105 is also stopped down to F3.5, Sony 16-50 seems to be doing better in the center while I still found Sony 16-105 better in corners.
At F5.6, they are almost identical in corners and Sony 16-50 looked more contrasty (hence better) to me in the center. But they are very close.
At F8, their performance is also very close but Sony 16-50 has still just a tad more contrast for my taste.
As for F11, I'd say they are identical. [Review by Sinan Ozturk]
First comparison is lenses widest apertures which is F2.8 for Sony 16-50 and F3.5 for Sony 16-105. At this comparison Sony 16-50 seems to have more vignetting and its corner sharpness is one step behind while they seem to be doing same in the center sharpness.
When Sony 16-105 is also stopped down to F3.5, Sony 16-50 seems to be doing better in the center while I still found Sony 16-105 better in corners.
At F5.6, they are almost identical in corners and Sony 16-50 looked more contrasty (hence better) to me in the center. But they are very close.
At F8, their performance is also very close but Sony 16-50 has still just a tad more contrast for my taste.
As for F11, I'd say they are identical. [Review by Sinan Ozturk]
| Comparison Photo # 1 |
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Photo_270Sony 16-50 DT F2.8 SAM |
against
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Photo_275 Sony 16-105 F3.5-5.6 DT |
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 F2.8  1/2500  100  16mm. |
 F3.5 1/1250100 16mm. |
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| Photo by Sinan Ozturk |
Photo by Sinan Ozturk |
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| Black & White crops are displayed for better details study. Click here to switch back to colored crops. |
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| EXIF | |||||||||||||||||||
| Comparison Photo # 2 |
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Photo_271Sony 16-50 DT F2.8 SAM |
against
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Photo_275 Sony 16-105 F3.5-5.6 DT |
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F3.5 1/1600 100 16mm. |
F3.5 1/1250100 16mm. |
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| Black & White crops are displayed for better details study. Click here to switch back to colored crops. |
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| Comparison Photo # 3 |
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Photo_272Sony 16-50 DT F2.8 SAM |
against
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Photo_276 Sony 16-105 F3.5-5.6 DT |
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 F5.6 1/640 100 16mm. |
F5.6 1/640100 16mm. |
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| EXIF | |||||||||||||||||||
| Comparison Photo # 4 |
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Photo_273Sony 16-50 DT F2.8 SAM |
against
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Photo_277 Sony 16-105 F3.5-5.6 DT |
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 F8.0 1/320 100 16mm. |
F8.0 1/320100 16mm. |
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| 100% (1:1) Crop Samples | |||
Login or Register to display 4 crops from Sony 16-50 DT F2.8 SAM F/8.0 vs. Sony 16-105 F3.5-5.6 DT F/8.0 for locations Focus Point, Border (Left), Around Center, Corner (Top Left) |
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| Comparison Photo # 5 |
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Photo_274Sony 16-50 DT F2.8 SAM |
against
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Photo_279 Sony 16-105 F3.5-5.6 DT |
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 F11.0 1/160 100 16mm. |
F11.0 1/160100 16mm. |
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| 100% (1:1) Crop Samples | |||
Login or Register to display 4 crops from Sony 16-50 DT F2.8 SAM F/11.0 vs. Sony 16-105 F3.5-5.6 DT F/11.0 for locations Focus Point, Border (Left), Around Center, Corner (Top Left) |
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